Les Arts Décoratifs has three locations in Paris, but we chose to visit the collections and documentation at 107, rue de Rivoli. Windows there offer a view of the Louvre on one side and the Eiffel tower on the other.
The collections of the decorative arts are among the largest in France, comprised of thousands of pieces from the various fields of the decorative and applied arts. Many new donations, purchases and bequests are added to the collections every year.
The library and documentation center house a wide range of materials including books, manuscripts, prints, engravings, photographs, archives of artists and professionals, and ephemera. Established in 1864 by the founding members of the UCAD (Union Centrale des Arts Décoratifs), it was their hope to provide artists with a store of forms and images for their inspiration. One of the most extraordinary resource is the volumes of the Maciet collection, a bound selection of reproductions and original works on paper organized by topic. In these volumes, one might find a 19th-century photograph by Henri Le Secq (1818-1882) documenting a Paris street pasted next to a printed menu of a restaurant on that street.
The organization’s documentation notes, “When art lover and collector Jules Maciet (1846-1911) crossed the threshold of the library of decorative arts in 1885, he understood that books alone could not satisfy the demands of artists and artisans: It would take images, lots of images. …Thus, from 1885 to 1911, the date of his death, Jules Maciet became an image hunter, bringing together hundreds of thousands of prints, photographs, documents from all sources from catalogs, books and magazines. He slices, sorts, and sticks them in great albums and imagines a methodical classification in the encyclopaedic spirit of the nineteenth century.”
We pulled the volume on Japanese pochoir and found a complete rare book reproducing stencil color disbound and pasted in. Happily, a box of original Katagami (Japanese paper) stencils were brought out to compliment the research.
Also on the table was a stunning volume of pochoir colored caricatures from the series Le Bon Genre, which we recognized from Princeton’s Charles Rahn Fry Pochoir Collection. Here’s a plate that seems to fit the visit: “Les vapeurs ou le jour des memoires” (The Vapors or the Day of Memories).
Le Bon genre; réimpression du recueil de 1827; comprenant les “Observations…” et les 115 gravures. Préface de Leon Moussinac (Paris: Les Éditions Albert Lévy ). “Les planches ont étés gravées par E. Doistau, imprimées par R. Tanburro, et coloriées par J. Saudé … Il en a été tiré 750 exemplaires”–Verso of p. preceding t.p. Princeton’s copy is no. 444, from the Charles Rahn Fry Pochoir Collection. Graphic Arts Collection (GAX) Oversize 2004-0020F