Daily Archives: May 21, 2015

Christopher P. Heuer

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Christopher P. Heuer, assistant professor from 2007 to 2014 in the Department of Art & Archaeology at Princeton University, has been appointed associate director of research and academic programs at the Clark Art Institute in Williamstown, MA.

In addition to its active fellowship program, the Clark organizes year-round scholarly programs, including lectures, conversations, colloquia, symposia, and conferences that “enrich the intellectual life of the Institute and contribute to a broader understanding of the role of art in culture.”

Among Heuer’s many popular classes while at Princeton taught with the RBSC collections were Early Modern Media, which examined ideas of media in the European world, ca. 1400 to 1799; and Northern Renaissance Art, a survey of painting, prints, and art theory ca. 1300 to 1550, with an emphasis on major figures such as Van Eyck, Bosch, Dürer, and Bruegel.20140711-CLARK-slide-SDZE-jumbo

Heuer is currently a Samuel H. Kress Senor Fellow under the Center for Advanced Study in the Visual Arts at the National Gallery of Art, completing research for a book about the appearance of the Arctic in artistic practice from Renaissance times until today, to be entitled: The Iceberg and the Acrobat: Time and the Printed Image in the Northern Renaissance.

His other writings include The City Rehearsed: Object, Architecture, and Print in the Worlds of Hans Vredeman de Vries (2013), Vision and Communism: Viktor Koretsky and Dissident Public Visual Culture (co-author) (2011), and Dürer’s Motions: Kinetics of the German Renaissance (Reaktion Books, forthcoming).

The Worship of Bacchus Returns

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George Cruikshank (1792-1878), Worship of Bacchus, or The Drinking Customs of Society, June 20, 1864. Steel engraving. Graphic Arts collection. Gift of Richard W. Meirs, Class of 1888.

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George Cruikshank, The Worship of Bacchus. Oil on canvas. (c) Tate Britain

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Missing since we last looked for it in 2008, this mammoth print by George Cruikshank (1792-1878) entitled Worship of Bacchus, or The Drinking Customs of Society (June 20, 1864) was recently uncovered and returned to the Graphic Arts Collection.

A gift from Richard W. Meirs, Class of 1888, the steel engraving is over 100 centimeters long. It reproduces of the well-known oil painting by Cruikshank, printed by Richard Holdgate and published by William Tweedie in London. Note the lunatic asylum at the top, next to the prison with gallows on the roof.
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The Tate’s painting was also removed from public view for a long time and only recently restored for the exhibition Rude Britannia. To see the scale of the original watch this video: http://bcove.me/1k8xwgdy

For an explanation of the iconography, see: John Stewart, The worship of Bacchus: size 13 ft. 4 in. by 7 ft. 8in: painted by George Cruikshank: a critique of the above painting; a descriptive lecture by George Cruikshank; and opinions of the press. 6th ed. (London: W. Tweedie, 1862). Graphic Arts Collection (GA) Cruik 939