Category Archives: Events

Photo Book Show

Only one more day left to attend The Photography Show at Pier 94. The longest-running and foremost exhibition dedicated to the photographic medium, the Association of International Photography Art Dealers (AIPAD) has mounted the 39th edition of the show featuring nearly 100 of the world’s leading fine art photography galleries.

Each year the photobook portion of the show has grown larger and more international, including the U.S., Europe, Asia, Canada, Mexico, the Middle East, and South America. Book dealers, publishers, and photography-related organizations include:

10×10 Photobooks, New York
21st Editions, South Dennis, MA
AKIO NAGASAWA Gallery | Publishing, Tokyo
American Photography Archives Group, APAG, New York
Aperture Foundation, New York
Artbook | D.A.P., New York
Benrido, Kyoto
Brilliant Graphics, Exton, PA
Candor Arts, Chicago, IL
Citizen Editions, Brooklyn, NY
Conveyor Editions, Jersey City, NJ

DAMIANI, Bologna, Italy
Daylight Books, Durham, NC
Dust Collective, Stow, MA
GOST Books, London
Harper’s Books, East Hampton, NY
KOMIYAMA TOKYO, Chiyoda-ku, Tokyo
KGP – Kris Graves Projects, Long Island City, NY
L’Artiere, Bologna, Italy
Light Work, Syracuse, NY
MACK, London
Minor Matters Books, Seattle, WA
Nazraeli Press, Paso Robles, CA
photo-eye, Santa Fe, NM
Photograph Magazine, New York
Saint Lucy Books, Baltimore, MD
STANLEY/BARKER, Shropshire, UK
SUPER LABO, Kamakura, Kanagawa, Japan
Steidl Publishers, Göttingen, Germany
TBW Books, Oakland, CA
The Classic, Arnaville, France
TIS Books, Brooklyn, NY
Yoffy Press, Atlanta, GA
Zatara Press, Richmond, VA

International Kerouac Poetry Festival

Jack Kerouac (1922-1969), The History of Bop. Introduction by Mark McMurray (Montclair, NJ; Canton, NY : Caliban Press, 1993). One of 200 copies. Graphic Arts Collection 2004-3446N

In conjunction with the 4th annual International Kerouac Festival in New York City, we pulled Kerouac’s biography of Bop. Originally published in Escapade magazine in April 1959 as “The Beginning of Bop,” Kerouac’s text was also included on the Verve record album Readings by Jack Kerouac on the Beat Generation (1960). Over 30 years went by before Mark McMurray printed a limited edition at his Caliban Press. http://www.northcountryartists.com/mark-mcmurray/

 

“Bop began with Jazz,” writes Kerouac, “but one afternoon somewhere on a sidewalk maybe 1939, 1940, Dizzy Gillespie or Charlie Parker or [Thelonious] Monk was walking down past a men’s clothing store on 42nd Street, or South Main in L.A. and from the loudspeaker they suddenly heard a wild impossible mistake in jazz that could only have been heard inside their own imaginary head. and that is a new art. Bop.

https://www.festivalkerouac.com/

The Kerouac Festival began in Vigo, Spain, seven years ago and only recently opened a satellite event in New York City during the first week in April. Performances, readings, and discussions in English and in Spanish are being held in various locations throughout the city.

Poets at the Festival will include Wöyza, Marina Oroza, Ana Vidal, Alberto Avendaño, Bob Holman, Rocío Cerón, Abraham Chavelas, Jani Rose, Keila Vall, Chris Campanioni, Francisco Álvarez Koki, E.A. Pulgar, Kathryn Strobel, Vanesa Álvarez, Courtney Surmanek, Mariana Sofía Lima, Rachel Kara Pérez, Salomé Egas, Anthony Mcperson, Lisa Markuson, José Lameiras, Celia Parra, and Marcos De La Fuente.

Tag der Druckkunst

Congratulations to our colleagues in Germany for the enormous success of their first “Tag der Druckkunst“ (National Day of Printing Arts) on March 15, 2019. Scheduled to coincide with the anniversary of the inclusion of artistic printing techniques in the nationwide directory of the Intangible Cultural Heritage by the German UNESCO Commission, the day included more than 250 events held nationwide.


Their website notes, “Artists, print shops, museums, galleries, art societies and many others contributed to the preservation and development of artistic printing techniques with a multitude of activities and to draw attention to the importance of printing for culture in Germany.” https://www.bbk-bundesverband.de/veranstaltungen/tag-der-druckkunst-15-maerz-2019/veranstaltungen-zum-tag-der-druckkunst/

This follows on the success of a smaller event in 2018: https://www.unesco.de/en/artistic-printing-techniques-relief-gravure-planographic-pressure-printing-and-their-mixed-forms

Germany’s national celebration is not unlike the Fête de l’estampe held each year in France on May 26 in honor of the recognition engravers received from Louis XIV: https://www.fetedelestampe.fr/

Perhaps some year the United States will follow their lead.
https://www.halle365.de/veranstaltung/tag-der-druckkunst

Swarthmore College’s Friends, Peace, and Sanctuary project

Visitors to the Book and Ephemera Fair in New York City today were treated to a preview of Swarthmore College’s Friends, Peace, and Sanctuary project, supported by The Pew Center for Arts & Heritage. http://fps.swarthmore.edu/

The two-year project brings renowned book artists into conversation with Syrian and Iraqi individuals who have resettled to Philadelphia. Driven by questions about displacement and refuge, history and experience, the project explores art’s capacity to build empathy and create a deeper sense of belonging.

Friends, Peace, and Sanctuary culminates in a series of exhibitions beginning this month at McCabe Library, Swarthmore College; three locations in Philadelphia throughout the summer;  and Brooklyn, New York City in the fall. Included will be artists books by Islam Aly, Maureen Cummins, Erik Ruin, Courtney Bowles and Mark Strandquist that weave archival research of refugee and migrant experiences with contemporary Syrian and Iraqi narratives.

Their works will be exhibited alongside works by Syrian and Iraqi project collaborators that were produced throughout a series of workshops led by the artists, as well as archival materials related to displacement from Swarthmore College’s Friends Historical Library and Peace Collection.

افتتاح معرض الأصدقاء والسلام والملاذ والعشاء المحلي

Join them at the exhibition opening and a Friends, Peace, & Sanctuary communal dinner on Friday March 29, 2019 beginning at 4:00 p.m.

٢٩ مارس ٢٠١٩
٤ إلى ٨ مساء
كلية سوارثمور: مكتبة مكايب و قاعة كلوثير
نرحب بكم في احتفال ختام مشروع الأصدقاء، السلام، والملاذ الآمن الذي امتد على عامين و ايضا ندعوكم في المشاركة في عشاء اجتماعي لكي تصبحوا جزءا من المحادثة في مشروع الأصدقاء، السلام، والملاذ الآمن.
تفضلوا معنا في احتفال ختم مشروع الاصدقاء، السلام والملاذ الآمن و افتتاح معرض الأول للفنانين إسلام علي، مورين كومينز، إيريك روين، كورتني بولز و مارك ستراندكويست، الذين تضمنوا أبحاث المحفوظات عن تجارب اللاجئين والمهاجرين مع التجارب السورية والعراقية المعاصرة لإعادة التوطين في فيلادلفيا. وسيتم عرض أعمالهم جنباً إلى جنب مع الأعمال التي يقوم بها متعاونون من المشاريع السورية والعراقية التي تم إنتاجها خلال سلسلة من ورش العمل التي يقودها الفنانون، بالإضافة إلى مواد أرشيفية متعلقة بالنزوح من مكتبة أصدقاء كلية سوارثمور التاريخية ومجموعة السلام.
بعد تجربة المعرض، اجتمع مع جميع المتعاونين والفنانين وأعضاء فريق المشروع الذين جعلوا هذا المشروع ممكنا في عشاء يقدمه مطبخ “أريا”. توقع الطعام اللذيذ وحفز المحادثة بينما نواصل بناء المجتمع معًا.

The initial exhibition will be up through April 24, 2019, at McCabe Library at Swarthmore College. A complete list of books and those for sale will be available soon. https://www.swarthmore.edu/libraries/mccabe-library

Contemporary Subscription Libraries


One of the last remaining subscription libraries in New York City, along with the Library of the General Society of Mechanics and Tradesmen (GSMT) and the New York Society Library, is the Center for Fiction (formerly known as the Mercantile Library). Memberships for the GSMT Library begin at $50; for the Society Library $270; and for the new Center for Fiction $150.

The Center’s new home at 15 Lafayette Avenue, Brooklyn, is now open to the public on the first floor and to members on the upper floors.

For members, the Center for Fiction’s library includes a circulating collection of 70,000+ classic and contemporary fiction titles. Approximately 3,000 books from its antiquarian book collection are currently on display on the ground floor, clearly marked “do not touch”. Their website notes:

“The 19th Century collection is comprised of volumes from both the Mercantile Library’s own collection and volumes donated to the Center by the Philadelphia Athenaeum. Contained in this collection are works by well-known authors, hand-pressed books from the 18th and early 19th centuries, and books with especially attractive designs and bindings.”


The Mercantile Association has had many homes in Manhattan, beginning with rented rooms in 1821 at 49 Fulton Street in lower Manhattan and ending with its 1932 building at 17 East 47th Street in midtown. http://www.centerforfiction.org/about/history/

In 2005, with the advent of a new director, the Library moved to strengthen its new focus on fiction by renaming itself the Mercantile Library Center for Fiction.

In February 2019, the Center opened a 18,000 square foot space across from the Brooklyn Academy of Music. The first floor offers a bookshop, cafe, and a 160-seat state-of-the-art auditorium. The second floor has a reading room and terrace; classroom space for discussion groups, seminars, and writing workshops; and a new Writers’ Studio with floor to ceiling windows.

http://www.centerforfiction.org/

15 Lafayette Avenue
Brooklyn, NY 11217
Email: info@centerforfiction.org

February weather

Only one hearty bicycler made it to the library during today’s snow storm but the orange key tours of the campus seem to be filled. You might be better off trying the virtual tour from the warmth of your home: https://www.youvisit.com/princeton

The Betsey Stockton Garden behind the library https://slavery.princeton.edu/stories/betsey-stockton

Black Girlhood in the Nineteenth Century

 

Coming up on Wednesday, February 13, 2019, is the third Gillett G. Griffin Memorial Lecture delivered by Dr. Nazera Wright titled “Black Girlhood in the Nineteenth Century.” The lecture will begin at 4:30 in McCormick Hall 101, followed by a reception in the McCormick lobby. Copies of Dr. Wright’s book will be available for purchase during the reception thanks to our friends at Labyrinth Books. This event is free and open to the public.

 

Print Catalogues and Databases: Past, Present, and Future

The Fourth Annual APS (Association of Print Scholars) Distinguished Scholar Lecture will be held today, January 25, 2019, at the City University of New York. Titled “Print Catalogues and Databases: Past, Present, and Future,” Antony Griffiths, FBA, is expected to speak to a standing-room audience of students, curators, historians, collectors, conservators, and dealers.

Griffiths will share his long-term work on the British Museum’s online print catalogue and the implications of this work for other institutions and future scholarship on the history of prints. As many collection databases are being merged with a broad range of other mediums in online databases, the loss of image specific information and art historical data is a serious concern to us all.


Antony Griffiths is the Former Keeper of the Department of Prints and Drawings, British Museum, where he served from 1991 to 2011. He was also Slade Professor of Fine Art at the University of Oxford for the 2014/2015 academic year, where he delivered a series of lectures in conjunction with his book, The Print Before Photography: An Introduction to European Printmaking 1550–1820.

Please note that the lecture will be recorded and is to be made available online for APS members and the general public.

The Association of Print Scholars (APS) is a non-profit organization that encourages innovative and interdisciplinary methodological approaches to the history of printmaking. By maintaining an active website, sponsoring working groups, and hosting periodic symposia and lectures, APS facilitates dialogue and community among its members and promotes the dissemination of their ideas and scholarship. APS supports research grants and sponsors projects in the digital humanities that advance knowledge of printmaking. Membership is open to anyone whose research focuses on printmaking across all geographic regions and chronological periods.
https://printscholars.org/

Typographics 2019

The website for the fourth annual New York City Typographics festival is now online at https://2019.typographics.com. The team organizing this year’s event includes Cara Di Edwardo, Alexander Tochilovsky, Ellen Lupton, Barbara Glauber, and many others.

The site notes: “The 11-day festival is a forum for presentations about graphic design, web design, publication design, book design, type design, packaging, branding, corporate identity, advertising, motion graphics, and more. Importantly, Typographics focuses on new frontiers in digital typography.”

From June 10 to 20, 2019, there will be workshops, tours, speakers, and of particular interest, a book fair. Entrance to the fair on Saturday June 15 is limited to those registered for the conference but on Sunday June 16 the event will be free and open to the public. This year’s location will be the East Village gallery space at 41 Cooper Square, just across the street from the Cooper Union Great Hall where the main conference will be taking place. https://2019.typographics.com/book_fair/ .

The organizers promise “a wide diversity of material available relating to typography, lettering, design, etc, with everything from rare antiquarian type specimens to contemporary titles on modern graphic design.” A full listing of participating booksellers will be posted soon. For updates and announcements, join the Typographics mailing list or follow @TypographicsNYC on Twitter.

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