Category Archives: Exhibitions

Exhibition Chronology of the Little Gallery of the Pynson Printers

“There is an artificial stone floor of a brilliant blue color, surrounded by a baseboard molding of old gold,” explained the designer Lucian Bernhard (1885–1972). “The walls are about seven feet high, of a yellowish white, and of a very rough texture, resembling the surface of a cut of Roquefort cheese. This wall is surmounted by a projecting undercut surface of transparent cloth which hides the source of light that illuminates the walls …. The fascia of this undercut forms a very marked profile in blue and gold. Above this the ceiling looms invisible in an impenetrable black. This is the Exhibition Room.” (Oskar M. Hahn, “Bernhard-Rosen,” Gebrauchsgraphik Jahr 3, no 2 (Februar 1926): 9).

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Bernhard was describing what the New York press came to refer to as the Little Gallery of the Pynson Printers, located on the seventh floor of The New York Times Annex at 229 West 43rd Street in New York City. The gallery’s curator, director of the Pynson Printers and later, Princeton University curator of graphic arts, was Elmer A. Adler (1884–1962).

In documenting Adler’s years on 43rd street, I compiled a chronology of the approximately fifty exhibitions held in Pynson Printers gallery from 1926 to 1939, when Adler finally closed his press. This was too lengthy for the article published in our Princeton University Library Chronicle 73, no. 3 (Spring 2012). Here is a pdf of that timeline, in case it is of interest: http://libweb5.princeton.edu/visual_materials/ga_pdf/exhibitions pdf.pdf

These photographs of Adler’s rooms at 43rd Street were taken by Ralph Steiner (1899-1986).
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Theodore Low De Vinne & Co.

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In conjunction with the wonderful exhibition “The Dean of American Printers: Theodore Low De Vinne and the Art Preservative of All Arts,” currently on view at the Grolier Club in New York City, a tour was held of the landmark De Vinne Press building at Lafayette and East Fourth Streets. The show and tour mark the centenary of the death of De Vinne (1828-1914), one of America’s leading typographers and printers.

We were led by William J. Higgins, a Grolier member and a principal at Higgins Quasebarth & Partners, advisers in the preservation and rehabilitation of historic properties. Higgins described how the architectural firm of Babb, Cook & Willard completed the main De Vinne building in 1886.

Six years later, the same firm was asked to return and build an addition on the Fourth Street side to accommodate the new presses acquired to complete De Vinne’s contract for a 24-part Century Dictionary.

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devinne5 The De Vinne Company continued to occupy the building even after the death of its director, only leaving when the company dissolved in 1922.

Although the building has changed hands several times since then, it was happily given landmark status in 1966 and was added to the National Register of Historic Places in 1977.

Irene Tichenor, curator of the Grolier exhibition, added important information on De Vinne’s life and work. Besides his important commercial business, De Vinne was one of nine men who founded the Grolier Club and was printer to the Club for the first two decades of its existence. He was also an author and we are fortunately to have most of his books at the Princeton University Library.

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Among the many titles are:
The Printers’ Price List. A Manual for the Use of Clerks and Book-Keepers in Job Printing Offices (New York: F. Hart & co., 1871). Graphic Arts Collection (GA) 2008-0774N

The Invention of Printing (New-York: George Bruce’s Son & Co., 1878). Graphic Arts Collection (GAX) Z250 .D48 1878q

Historic Printing Types, a Lecture Read before the Grolier Club of New York, January 25, 1885, with additions and new illustrations by Theo. L. De Vinne (New York: The Grolier club, 1886). Rare Books (Ex) 0220.296.2

Title-Pages as Seen by a Printer, with Numerous Illustrations in Facsimile and Some Observations on the Early and Recent Printing of Books (New York: Grolier Club, 1901). Edition of 325. Graphic Arts Collection (GA) 2006-1869N

Grolier Club: http://www.grolierclub.org/Default.aspx?p=DynamicModule&pageid=289912&ssid=169182&vnf=1

1 Down, 32 More to Hang

hellenic studies5With joint forces this week from the Princeton University Art Museum, Princeton University Campus Collections, the Graphic Arts Collection, and Atelier Art Services, we are hanging paintings, sculpture, and mosaics in the newly renovated Firestone Library. We began today with this section of mosaic pavement with a male head, Roman Syria, Antioch-on-the-Orontes, ca. 400 A.D. from the Princeton University Art Museum. Gift of the Committee for the Excavation of Antioch to Princeton University (y1965-223)

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hellenic studies4It looks wonderful in the new Hellenic Studies Reading Room and we hope the students will be pleased when they return from their winter break. Thank you very much to the dozens of people who helped with this in the preparation stages and the execution today.

 

 

Extraordinary Women in Science & Medicine

grolierLast night, our friends and colleagues Ronald K. Smeltzer (director of the Princeton Bibliophiles and Collectors); Paulette Rose; and Robert J. Ruben, Princeton Class of 1955, opened a groundbreaking exhibition entitled Extraordinary Women in Science & Medicine: Four Centuries of Achievement. The show is open to the public free of charge 18 September to 23 November 2013 at the Grolier Club in New York City. Take your daughters.

Extraordinary Women explores the legacy of thirty-two remarkable women whose accomplishments in physics, chemistry, astronomy, mathematics, computing, and medicine changed science.

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Did Marie Curie refuse to wear this academic cap? See the show

As noted in the press release, of particular interest will be Emilie Du Châtelet’s 1759 translation of Newton’s Principia with the bookplate of Talleyrand; copies of all of her other scientific publications; a mathematics workbook and a letter, both in her hand; and materials about her fourteen-year relationship with Voltaire, including a book she co-authored—although without her name on the title page. A scientific breakthrough in genetics written on a brown paper bag is displayed.

A number of events are being held in conjunction with the exhibition including a collectors’ forum on Thursday, 3 October 2013 hosted by Rose, Ruben, and Smeltzer.

On Saturday, 26 October 2013, there will be a half-day symposium featuring Dava Sobel, historian, author of Gallileo’s Daughter and other popular expositions of scientific topics; Sharon Bertsch McGrayne, author of critically-acclaimed books about scientific discoveries and the scientists who make them; Professor Paola Bertucci, Assistant Professor of History and in the History of Medicine at the Yale School of Medicine; Professor Sandra K. Masur, Professor of Ophthalmology, Associate Professor of Structural and Chemical Biology at Mount Sinai Hospital, New York.

For more information, see http://www.grolierclub.org/

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Mexican postcards. Disembodied images and physical artifacts.

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Mexican Postcards Collection, 1890-2000. Graphic Arts Off-Site Storage, RCPXG-5830371

After years of researching, tracking and collecting, the antiquarian book/print dealers David Margolis and Jean Moss filled twenty-five boxes with a fascinating collection of Mexican postcards. Dating from 1890 to 2000, the material is now at the Princeton University Library and available to all researchers through the RBSC reading room. Included are prints, photographs, collotypes, maps, tourist souvenirs, landscapes, and traditional postcard views, each organized under either the cities or the genres represented.

This fall, images from our Mexican postcard collection will play a small part in the Princeton University Art Museum’s exhibition: The Itinerant Languages of Photography, on view Saturday, September 7, 2013 to Sunday, January 19, 2014. The show and catalogue examine the movement of photographs, as disembodied images and as physical artifacts, across time and space as well as across the boundaries of media and genres, including visual art, literature, and cinema.

The culmination of a three-year interdisciplinary project sponsored by the Princeton Council for International Teaching and Research, the exhibition traces historical continuities from the 19th century to the present by juxtaposing materials from archival collections in Spain, Argentina, Brazil, and Mexico and works by modern and contemporary photographers from museum and private collections including Joan Fontcuberta, Marc Ferrez, Rosâgela Renno and Joan Colom. A fully illustrated catalogue accompanies the exhibition, in the shop or by mail.

In particular, mark your calendar now for the related symposium that will be held at Princeton November 20-22 (the keynote will be artist Joan Fontcuberta). For more information about the exhibition, see: http://artmuseum.princeton.edu/art/exhibitions/1550

Thank you Library of Congress

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Thank you to our colleagues at the Library of Congress prints and photographs division who were so much help this week.
If possible, don’t miss the last week of their exhibition “The Gibson Girl’s America.” Or view it online at http://myloc.gov/Exhibitions/gibson-girls-america/Pages/default.aspx
This is what a library looks like.

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