With a stylus on a Wacom tablet, I paint on the computer in Illustrator. Working only with flat areas of colour and no tone, I “cut out” the shapes with the stylus, arranging them on different layers, creating a collage. In fact, I first started working this way years ago by cutting out sheets of coloured paper with scissors, similar to the way Matisse created his paper collages. Starting by sketching a composition in blocks of colour as I would have done painting in oils and using the reference photos as guidance only, I gradually build up the painting with darker areas first and then lighter shades. The paintings end up as digital files; vector images which can be reduced or enlarged to any size and are then printed with a flat bed UV ink jet printer on a hand or mould-made paper.
Leslie Gerry, Havana, paintings by Leslie Gerry; extracts from Cuba by Irene A. Wright, 1912 (Dowdeswell, Gloucestershire: Leslie Gerry Editions, December 2016). Copy 39 of 70. Graphic Arts Collection GAX E-000092
Leslie Gerry, Venice reflections, paintings by Leslie Gerry; extracts from Venice by Jan Morris (Dowdeswell, Gloucestershire, UK : Published by Leslie Gerry Editions, The Eight Gabled House, 2019). Copy 15 of 120. Graphic Arts Collection E-000093