Havana and Venice

The Graphic Arts Collection is fortunate to have acquired two volumes from Leslie Gerry Editions. The contemporary artist works with 21st century technology informed by modern fine press traditions.

With a stylus on a Wacom tablet, I paint on the computer in Illustrator. Working only with flat areas of colour and no tone, I “cut out” the shapes with the stylus, arranging them on different layers, creating a collage. In fact, I first started working this way years ago by cutting out sheets of coloured paper with scissors, similar to the way Matisse created his paper collages. Starting by sketching a composition in blocks of colour as I would have done painting in oils and using the reference photos as guidance only, I gradually build up the painting with darker areas first and then lighter shades. The paintings end up as digital files; vector images which can be reduced or enlarged to any size and are then printed with a flat bed UV ink jet printer on a hand or mould-made paper.

Leslie Gerry, Havana, paintings by Leslie Gerry; extracts from Cuba by Irene A. Wright, 1912 (Dowdeswell, Gloucestershire: Leslie Gerry Editions, December 2016). Copy 39 of 70. Graphic Arts Collection GAX E-000092

Leslie Gerry, Venice reflections, paintings by Leslie Gerry; extracts from Venice by Jan Morris (Dowdeswell, Gloucestershire, UK : Published by Leslie Gerry Editions, The Eight Gabled House, 2019). Copy 15 of 120. Graphic Arts Collection E-000093