Category Archives: Books

books

Zapf

zapf7
Master typographer Hermann Zapf died on Thursday, June 4, 2015, at his home in Darmstadt, Germany. He was 96. The obituary from the New York Times can be read at:
http://www.nytimes.com/2015/06/10/arts/design/hermann-zapf-96-dies-designer-whose-letters-are-found-everywhere.html?_r=0

Posted here are a few of the alphabets and pages of calligraphy that Zapf designed between 1939 and 1941, cut in metal by August Rosenberger in 1952. A remembrance is being planned for the fall in New York City. Details will be posted as they develop.

 

zapf6
zapf5
zapf4
zapf3
zapf2
zapf1

zapf8

Hermann Zapf (1918-2015), Pen and graver: alphabets & pages of calligraphy (New York: Museum Books, 1952). Graphic Arts Collection (GAX) Oversize 2007-0577Q

Thomas Smith’s 1707 bookplate in his own book

thomas smith bookplate 1707a

thomas smith bookplate 1707

Nicholas Bownd (died 1613), Sabbathum Veteris et Noui Testamenti: or the true doctrine of the Sabbath, held and practised of the Church of God, both before, and vnder the law; and in the time of the Gospell … (London: Felix Kyngston, for Thomas Man and John Porter, 1606). “This is probably the first ornamental American bookplate.” Binding is old calf with blind toolings on covers. Bookplate of “Thomas Smith, Hunc Librum Vendicat. Anno Dom. MDCCVII.” “Thomas Smith his book 1719”–Written in pen, front flyleaf. Graphic Arts Collection (GAX) Hamilton 7

   thomas smith bookplate 1707dthomas smith bookplate 1707c

Number 7 within the Sinclair Hamilton Collection of Early American Book Illustrators and Wood Engravers is a bookplate for Thomas Smith (1678-1742). Hamilton writes that it is “probably the first ornamental American bookplate.” He continues, “Earlier plates, of course, had made some use of printers’ type ornaments but none contain woodcut ornamentation in so elaborate a style as this. The cutting is better done and the result more elegant—if such a word can be used for work as early as this—than is the case in earlier American efforts at woodcutting such as John Foster’s seal of the Colony of Massachusetts or the figure which appears in the Cambridge Ephemeris of 1684. It is, however, very rare…”

Winterthur library owns a book with the same woodcut printed “Josephus Parsons, Hunc Librum Vendicat, Anno, MDCCXVII.”

thomas smith bookplate 1707b
thomas smith bookplate 1707e

Smith is given a short biography in Oliver A. Roberts’s History of the Military Company of the Massachusetts: “Thomas Smith (1702), merchant, of Boston, son of Thomas (1678) and Rebecca Smith, of Boston, was born May 13, 1678, and married, (1) May 9, 1701, Mary Corwin, who died July 29, 1716, and, (2) April 30, 1717, Sarah Oliver, sister of Nathaniel (1701). He was elected scavenger in 1711 and 1712, and overseer of the poor in 1712, and thereafter until 1719.

March 11, 1717—8, he was chosen with Col. Thomas Fitch (1700), Elisha Cooke (1699), Major Habijah Savage (1699), and Lieut.-Col. Minot, to “Consider and make report of Some Expedient for Securing the Marsh at the Lower end of the Common.” From 1713 to 1 718, he is designated as “Capt.” Thomas Smith (1702) was first sergeant of the Artillery Company in 1705; ensign in 1713; lieutenant in 1715, and captain in 1722.

He joined the Old South Church, April 28, 1717, and was a benefactor of Harvard College. Administration on his estate, which inventoried five thousand seven hundred and forty-three pounds, was granted to his widow, Sarah, and son, March 23, 1742.”

Should Princeton University students write like Albert Einstein?

There is a new campaign on kickstarter to fund a computer font simulating the handwriting of Albert Einstein. http://kck.st/1FGvxZpphoto-original

One category is: EINSTEIN FOR UNIVERSITY • You receive an educational license to use the font in a university context, for up to 250 students. Teach and inspire at the same time! Estimated delivery: June 2015

Do you think Princeton students should have the option to type/write like Albert Einstein?

 

Doré and Chateaubriand

dore5Princeton University Library owns over 70 variant editions of Atala, the early novella by François-René de Chateaubriand (1768-1848) first published in 1801. Five of them are illustrated by the French artist, Gustave Doré (1832-1883), a few pages of which are seen here:

François-René, vicomte de Chateaubriand (1768-1848), Atala. Avec les dessins de Gustave Doré (Paris: L. Hachette et Cie., 1863). Rare Books (Ex) Oversize PQ2205 .A8 1863f and Oversize 3239.7.313.1863f

François-René, vicomte de Chateaubriand (1768-1848), Atala. Translated by James Spence Harry, from Firmin Didot’s edition of the viscount’s works. Illustrated by Gustave Dore (New York [etc.] Cassell & company, limited [c1884]). Recap Oversize 3239.7.313.7q

François-René, vicomte de Chateaubriand (1768-1848), Atala; desenhos de Gustavo Doré; traducção de Guilherme Braga. Segunda edição de luxo (Porto: Empreza Editora de Obras Classicas e Illustradas, 1884 (Porto : Typographia Occidental). Rare Books (Ex) Oversize 2010-0044F

François-René, vicomte de Chateaubriand (1768-1848), Atala. Translated by James Spence Harry, from Firmin Didot’s edition of the viscount’s works. Illustrated by Gustave Doré (Chicago, New York, Belford, Clarke & co., 1886). Graphic Arts Collection (GAX) Oversize PQ2205.A8 E5 1886q
dore6

dore3
dore2
dore1

A brief biography Gustave Doré was prepared for his 2014 exhibition at the Musée d’Orsay in Paris:

Gustave Doré (1832-1883), Gustav Dore (1832-1883) : master of imagination / edited by Philippe Kaenel (Paris: Musée d’Orsay: Flammarion; [Ottawa, Canada]: National Gallery of Canada, [2014]). Marquand Library (SA) Oversize ND553.D7 A4 2014q

Hamlet in Block Prints

hamlet2William Shakespeare (1564-1616), Hamlet, Prince of Denmark, in block prints by D.N.S.[Dorothy Newkirk Stewart, 1891-1955] (Santa Fe, N.M.: [Pictograph Press], 1949). “A book by W. Shakespeare, abbreviated in block prints by D.N.S.; color registration, Eleanor Jones; consultant, Agnes C. Sims; material help, Gustave Baumann and The King’s Press…” Graphic Arts Collection GAX Oversize NE1215.S8 A5q
hamlet1
hamlet5

“Dorothy Newkirk Stewart, who signed her prints with the initials “DNS”, was born April 8, 1891 in Philadelphia, PA. She was one of the early members of the Santa Fe Art Colony, arriving in 1925. For the next 30 years she resided in that city, making occasional trips to Mexico and Europe. She and her sister, Margretta S. Dietrich lived in the historic Juan Jose Prado house at 519 Canyon Road adjacent to El Zaguan. Her gallery, Galeria Mexico, and her printmaking studio were located at 551 Canyon Road. In addition, she had a studio for a time on property she owned near Atalya Hill. Part of that property was donated to the Forest Trust by her friend, Irene Von Horvath. It is now open to the public as the DNS Trail.

With her sister Margretta and others she worked to foster an appreciation of Indian arts and crafts and Indian culture. Her Handbook of Indian Dances was an outgrowth of this interest. In her Canyon Road studio she produced linoleum and wood block prints for her editions of several Shakespeare plays as well as the Indian Dances handbook. During the years 1912-1915, she studied at the Pennsylvania Academy of Fine Arts and in Paris. She died in 1955, and was honored by a retrospective exhibition at the New Mexico Museum of Art.”– Arnold Stream, New Mexico Museum of Art Library and Archives

hamlet4
hamlet3

The Prophecies of the Sibyls

silillarum1
silillarum7
Philippus de Barberis (ca. 1426-1487), Opusculum de vaticiniis Sibillarum (Oppenheim: [Jacob Köbel, ca. 1514). Large woodcut on title-page and 12 full page woodcuts of female soothsayers. Previous owner: W.J. Le Mattre. Graphic Arts Collection GAX 2015- in process
silillarum6

This collection of the prophecies of the Sibyls was printed by Jacob Köbel (1460-1533), who ran a press in Oppenheim from 1503 to 1532. Although there is no date in the book, we believe it was printed about 1514 (Goff B-122, after 1500). Counting the title page, there are 13 large woodcuts with quotations and architectural borders. This is not the copy owned by Arthur Vershbow but in equally good condition.
silillarum4The source for the texts of the prophecies of the Sibyls is by the Dominican Philippus de Barberis, Discordantiae sanctorum doctorum Hieronymi et Augustini adiunctis aliis opusculis, which was compiled c. 1479 and appeared in several printed versions.

“L’Opusculum de his in quibus Augustinus et Hieronymus dissentire videntur in divinis litteris fu riedito in una raccolta di scritti detta Opuscula (pubblicata perla prima volta nel 1481; il titolo è ricavato dalla prefazione), con il titolo di Discordantiae sanctorum doctorum Hieronymi et Augustini (unico opuscolo della raccolta che sia opera del B.): il contenuto degli altri scritti degli Opuscula (i vaticini delle sibille, i carmi della poetessa Falconia, il simbolo anastasiano, l’orazione domenicale, la salutazione angelica, ecc.) induce a pensare che questa raccolta fosse destinata a uso scolastico; essa, comunque, ebbe una certa fortuna e varie edizioni, alcune delle quali successive alla morte del Barbieri. Iù stata avanzata dal Di Giovanni l’ipotesi che il B. fosse anche l’autore di un’opera intitolata De vita et moribus philosophorum (Codice 3. Q.q. A. III, cc, 65 della Biblioteca comunale di Palermo): centoventotto biografie di filosofi, poeti e scrittori, seguite, per meglio porne in evidenza il pensiero, da brani delle opere dei biografati. Poiché il manoscritto proviene dal convento domenicano di Palermo e fu copiato in Sicilia, poiché il B., sino al Quattrocento, fu l’unico a interessarsi di storia delle scienze, il Di Giovanni gli attribui questo lavoro, seppure con riserva. Questa conclusione tuttavia non può che rimanere allo stato di ipotesi; né si può ritenere che tale lavoro sia da identificarsi con il De inventoribus,noto soltanto attraverso la citazione della Viroruni illustrium cronica dello stesso Barbieri.” Dizionario Biografico degli Italiani – Volume 6 (1964)

silillarum3
silillarum2

A Budget of Wit was found while moving the collection

cruikshank budget of witThe Budget of Wit; or, Choice Selections of Bon Mots, Irish Bulls, Witty Stories, &c. … (London: Dean & Munday [1818]). 286 p.; 7 cm. Engraved title and 1 pl. “Cruikshank, del., Davenport, sculp.” In brown wrapper original back preserved, title of which is “Little budget, 1818.” Graphic Arts Collection (GA) Cruik 1818.28s

cruikshank budget of wit2Thanks to our good colleagues, this miniature book was discovered today during our collection move. It is one a many humorous volumes with designs by George Cruikshank (1792-1878) etched by Samuel Davenport (1783-1867). Although it is small, it is extremely rare and we are glad to have it back in the right sequence on our shelves.

cruikshank budget of wit3

cruikshank budget of wit4

Lithographic covers by Toulouse-Lautrec

TL book jackets7

Julien Sermet (born 1855), Les courtes joies: poésies (Brief Pleasures: poems); préface de Gustave Geffroy [Cover illustrations by Henri de Toulouse-Lautrec] (Paris: Joubert, 1897). Graphic Arts Collection (GAX) 2015- in process

TL book jackets

The Graphic Arts Collection recently acquired four small books with original lithographic paper wrappers designed by Henri de Toulouse-Lautrec (1864-1901). All of them were included in the exhibition catalogue Toulouse-Lautrec Book Covers & Brochures published by the Department of Printing and Graphic Arts, Houghton Library in 1972 (Graphic Arts GA NC980.5.T68 H37).

On several of these volumes the design continues around and onto the back cover. On this book, the artist depicts a fishwife selling herring  on the front, with the image of Don Quixote on the back.

TL book jackets6

Tristan Bernard (1866-1947), Les pieds nickelés: comédie en 1 acte (Nickel-plated Feet, i.e. Those Who Don’t Work: A Comedy in One Act) [First performed in Paris at the Théâtre de l’Oeuvre, March 15, 1895. Cover illustrations by Henri de Toulouse-Lautrec] (Paris: P. Ollendorff, 1895). Graphic Arts Collection (GAX) 2015- in process

TL book jackets5

 

On the front of this book [above], Lautrec has drawn three figures. The woman seen at the bottom has been identified as the pianist Misia Sert (born Maria Zofia Olga Zenajda Godebska, 1872-1950) who was a patron to many French artists and with her first husband Thadée Natanson, hosted a salon in Paris. She also posed for many of the painters, including Lautrec.

 

 

TL book jackets4

Tristan Bernard (1866-1947), Le fardeau de la liberté; comédie en un acte (The Burden of Liberty. A Comedy in One Act) [Cover illustrations by Henri de Toulouse-Lautrec] (Paris: Éditions de la Revue blanche, 1897). Graphic Arts Collection (GAX) 2015- in process.

TL book jackets2

Louis Marsolleau (1864-1935) and Arthur Byl (died 1908), Hors les lois: comʹedie en un acte (Outside the Law: a Comedy in One Act) [Performed first at the Thʹeatre Antoine, Nov. 5, 1897. Cover illustrations by Henri de Toulouse-Lautrec] (Paris: P.-V. Stock, 1898). Graphic Arts Collection (GAX) 2015- in process

TL book jackets3

 

If you open the wrapper fully on this volume, you will see a couple watching two costumed actors admiring a bust of Molière. Lautrec went to the theater often and designed both posters and programs for many productions.

Stamps, marks, and monograms by George Auriol

auriol9George Auriol, Le Premier Livre des cachets, marques et monogrammes. [with] Le Second Livre des monogrammes, marques, cachets et ex-libris. [and] Le Troisième Livre des monogrammes, cachets marques et ex-libris (Paris: Librairie Centrale & Henri Floury, 1901; 1908; 1924). Graphic Arts Collection GAX 2015- in process

auriol1
auriol3
auriol2“Auriol served as writer, illustrator and editor of the Chat Noir for ten years (1883–93). He produced book covers for the Chat-Noir Guide (1888) and the two-volume Les Contes du Chat Noir (1889–91) as well as 15 programmes for the Chat Noir shadow theatre. From the end of the 1880s the bold colours and flat patterning of his illustrations and typographical designs show the influence of Japanese art.

In 1888 he created his first monograms for Rivière and himself in the style of Japanese seals, and during the next decade he produced hundreds of such monograms for artists, writers and publishers, including Rivière, Théophile-Alexandre Steinlen, Toulouse-Lautrec, Paul Verlaine, Anatole France, Ernest Flammarion and others. In 1901 Henri Floury published the first collection of Auriol’s Cachets, marques et monogrammes, followed by two more volumes in 1908 and 1924.

. . . Auriol’s assimilation of Japanese aesthetics resulted in highly decorative and often abstract floral designs for hundreds of book and sheet-music covers by the avant-garde writers and composers for the publishers Enoch, Flammarion and Ollendorff as well as ornamental typography for Larousse’s encyclopedias (1895–1930) . . . Auriol’s collaboration with the G. Peignot & Frères type-face foundry (1901–5) resulted in the creation of Auriol type styles such as Française Legère and Auriol Labeur.”– Dennis Cate
auriol8           auriol7
auriol6
auriol5
auriol4

Illustrated by Brunelleschi

brunelleschi 7

Alfred de Musset (1810-1857), La nuit venitienne. Fantasio. Les caprices de Marianne. Illustrated by Umberto Brunelleschi (1879-1949) (Paris: L’edition d’art H. Piazza, 1913). Colophon: Il a été tiré de cet ouvrage cinq cents exemplaires sur papier du Japon signés par l’artiste./ “Achevé d’ imprimer a Paris le 10 Novembre 1913.” Graphic Arts Collection 2015- in process. Gift of Andrea G. Stillman.

brunelleschi 3 brunelleschi 2

Umberto Brunelleschi (1879-1949), Contes du temps jadis (Paris: l’Édition d’art, H. Piazza, 1912). “Achevé d’imprimer le 10 Octobre 1912 par G. Kadar, Paris”–Colophon. “Il a été tiré de cet ouvrage 400 exemplaires sur papier du Japon”–Verso of half-title. Graphic Arts Collection 2015- in process. Gift of Andrea G. Stillman.

Thanks to the generous gift of Andrea G. Stillman, the Graphic Arts Collection has acquired two volumes with illustrations designed by Umberto Brunelleschi. Both were published in limited editions by Jules Henri Piazza (1861-1929) under the imprint L’Edition d’Art (The Art Edition H. Piazza and Company). For over 30 years, Piazza issued luxury books in French and English illustrated with reproductions after designs by living artists. We are fortunate to add these two to our collection.

brunelleschi 5

brunelleschi 4