Category Archives: Ephemera

Marx Memorial Library

dscn7715-2In 1934 Viscount Hastings, who studied under Diego Rivera, executed a large fresco for the Marx Memorial Library’s first-floor reading room. A number of influential figures within the history of British labor are depicted in this painting, entitled The Worker of the Future Clearing Away the Chaos of Capitalism.

Here are a few more of the many graphic arts that decorate the walls of the library, along with a little of their history.

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A Welsh Charity school was built on the site of Marx House in 1738. It educated boys and later a few girls, the children of Welsh artisans living in poverty in Clerkenwell. Gradually the intake became too large and the school moved to new premises in 1772. After this the building was divided into separate workshops one of which became the home to the London Patriotic Society from 1872 until 1892.

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The Twentieth Century Press occupied what had by then been labelled as 37a and 38, and expanded into 37 by 1909 – thereby returning the site to single occupancy for the first time since its days as a charity school. The Twentieth Century Press was founded by the Social Democratic Federation as printer for its journal Justice and was the first socialist Press in Clerkenwell. An early benefactor was William Morris, who guaranteed the rent of the Patriotic Club to the Twentieth Century Press. During its time in Clerkenwell Green, the Twentieth Century Press produced several of the earliest English editions of the works of Marx and Engels. The Twentieth Century Press remained at the building until 1922.

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Lenin was exiled in London and worked in the building from April 1902 to May 1903. During this period he shared the office of Harry Quelch, the director of the Twentieth Century Press, from there he edited and printed the journal ISKRA (The Spark), which was smuggled into Russia. The office is still preserved and open to visitors.

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In 1933, the fiftieth anniversary of the death of Karl Marx, a delegate meeting comprising trade unionists, veteran socialists belonging to the Labour Party and Communist Party, and representatives of the Labour Research Department and Martin Lawrence Publishers Ltd., considered setting up a Permanent memorial to him. That year also saw the Nazis in Germany burning books. In these circumstances the meeting resolved that the most appropriate memorial would be a Library. Thus the Marx Memorial Library and Workers School (as it was then known) was established at 37a Clerkenwell Green that year. Study classes, held in the evenings, became the distinguishing feature of the Workers’ School, which was divided into faculties of science, history and political economy.

dscn7698-2Note that William Morris was one of the comrades present at this 1890 meeting.

See also How I Became a Socialist. A series of biographical sketches (London: Twentieth Century Press, [no date]). I. H.M. Hyndman. II. E. Belfort Bax. III. William Morris. IV. Walter Crane. V. J. Hunter Watts. VI. John E. Williams. VII. Andreas Scheu. VIII. H.W. Lee. IX. James Macdonald. X. R. Blatchford. XI H. Quelch. XII. Tom Mann. Firestone RECAP HX241.H83

Comparing Broadsides

picture2Only two copies of this enormous broadside can be found today in public collections around the world. One is at Princeton University [above]. Although it is not dated, I believe it was printed in the spring of 1867, two and a half years after the Morant Bay rebellion on the island of Jamaica.

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The printer of the sheet was Edward Cornelius Osborne, who opened a Birmingham book and print shop in 1831. Osborne was also a strong supporter of the anti-slavery society and a member of the Jamaica Committee (pro-Gordon and anti-Eyre).

Why he printed such a large broadside, so long after the rebellion, is the subject of a paper at “Printers Unite!” this week at the Marx Memorial Library. For more information, see: http://www.marx-memorial-library.org/index.php?option=com_civicrm&task=civicrm/event/info&Itemid=216&reset=1&id=101

blibraryThis is one half of the enormous Rare Book reading room at the British Library on Euston Road. It is only one of many such spaces of equally impressive size at the main branch of the Library.

This is where I found the other copy of Osborne’s Jamaica broadside, so large it had to be printed in two sheets. So large it required the desk space usually allotted to three separate readers. Our sincere thanks to the entire staff of the rare book division, who all helped in the pursuit and retrieval of this item today.

blibrary2Thanks also to Linda Oliveira and AnnaLee Pauls [at the top] for their help photographing the broadside.

Caramels and Actors

actor-trade-cards5American Caramel Company. Trade cards featuring actors and actresses of the silent film era (Lancaster and York, PA: American Caramel Company, [1921]). 120 photolithographic cards. Graphic Arts Collection 2016- in process

The Graphic Arts Collection holds a collection of printed candy wrappers, begun as a joke by Princeton University students: https://blogs.princeton.edu/graphicarts/2008/11/graphic_candy.html. Since then, we continue to add to the collection, such as cookie trading cards from the LU company:  https://blogs.princeton.edu/graphicarts/2008/09/who_likes_our_biscuits.html

We recently acquired actor trading cards distributed with caramels.
actor-trade-cardsAccording to the Hershey Community Archives, “Milton Hershey started the Lancaster Caramel Company in 1886 after he returned to Lancaster, Pennsylvania following the failure of his New York City candy business. The Lancaster business would be his third confectionery venture. . . . When Milton Hershey sold the Lancaster Caramel Company on August 10, 1900 to the American Caramel Company for $1 million, he retained the rights to the Hershey Chocolate Company.”

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In the 1920s, the American Caramel Company manufactured sets of photolithographic trade cards with collectable portraits of actors and actresses. Information about the current projects and studio are also included. Anyone who bought a caramel, also received a trade card. The more caramels you bought, the closer you got to acquiring a whole set.

 

The set was issued twice, one in a set of 80 cards and another in a set of 120. The set of 120 cards includes the same portraits as the set of 80 with 40 additional images. Unfortunately, we do not have the 15 cent album to hold our set.

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Here’s a list of the actors and actresses:

1. William S. Hart; 2. Anita Stewart; 3. Wesley Barry; 4. Geraldine Farrar; 5. Buster Keaton; 6. May Allison; 7. Will Rogers; 8. Pearl White; 9. Jackie Coogan; 10. Dorothy Dalton; 11. Tom Moore; 12. Shirley Mason; 13. Theodore Roberts; 14. Eva Novak; 15. Thomas Meighan; 16. Bessie Barriscale; 17. George Beban; 18. Kathlyn Williams; 19. Mabel Normand; 20. Sessue Hayakawa; 21. Colleen Moore; 22. Jack W. Kerrigan; 23. Mary Alden; 24. Rudolph Valentino; 25. Priscilla Dean; 26. Wallace Reid; 27. Gladys Walton; 28. Pauline Frederick; 29. Irene Castle; 30. Bert Lytell; 31. Rubye De Remer; 32. Lois Weber; 33. Marshall Neilan; 34. Irene Rich; 35. Eileen Sedgwick; 36. Herbert Rawlinson; 37. Max Graf; 38. Erich Von Stroheim; 39. Texas Guinan; 40. William Russell; 41. Jack Holt; 42. Marie Prevost; 43. Eddie Polo; 44. Conrad Nagel; 45. Viola Dana; 46. Renee Adoree; 47. Hoot Gibson; 48. Agnes Ayres; 49. William Farnum; 50. Edna Murphy; 51. David Powell; 52. Clara Kimball Young; 53. Art Acord; 54. Ethel Clayton; 55. Harry Carey; 56. Betty Compson; 57. Buck Jones; 58. Helene Chadwick; 59. Elliott Dexter; 60. Ann Forrest; 61. Monte Blue; 62. Eileen Percy; 63. Dustin Farnum; 64. Miss Du Pont; 65. Lila Lee; 66. Jack Gilbert; 67. Hazel Daly; 68. Doris Kenyon; 69. James Kirkwood; 70. Lois Wilson; 71. Nell Shipman; 72. Naomi Childers; 73. Richard Dix; 74. Johnnie Walker; 75. Hope Hampton; 76. Tom Mix; 77. John Bowers; 78. Gloria Swanson; 79. Cullen Landis; 80. Frank Mayo; 81. Mae Busch; 82. Maude George; 83. June Caprice; 84. Tom Santschi; 85. Charlie Chaplin; 86. William De Mille; 87. Harold Lloyd; 88. Robert McKim; 89. Harry “Snub” Pollard; 90. Claire Adams; 91. Katherine Spencer; 92. Baby Peggy; 93. Mildred Davis; 94. Josephine Hill; 95. Alice Lake; 96. Virginia Brown Faire; 97. Nazimova; 98. Louise Lorraine; 99. Kathleen Meyers; 100. Gertrude Olmsted; 101. Elmo Lincoln; 102. Charles Ogle; 103. Pat O’Malley; 104. Jack Perrin; 105. Lee Moran; 106. Milton Sills; 107. Ben Turpin; 108. Cecil B De Mille; 109. Marcella Pershing; 110. Mabel Ballin; 111. Betty Ross Clarke; 112. Anna Q Nilsson; 113. Ina Claire; 114. Marie Mosquini; 115. Pola Negri; 116. Alice Terry; 117. Ruth Roland; 118. Virginia Warwick; 119. Mary Astor; 120. Mary Philbin; 121. Billie Dove; 122. Jack Mulhall; 123. Martha Mansfield; 124. Gareth Hughes; 125. Myrtle Lind; 126. Conrad Nagel; 127. Jane Novak; 128. Clarence Burton; 129. Mary Jane Sanderson; 130. George Larkin; 131. Dorothy Phillips; 132. Eugene O’Brien; 133. Mabel Juliene Scott; 134. Walter Hiers; 135. Mary Glynn; 136. Carl Gantvoort; 137. Constance Binney; 138. William Boyd; 139. Marguerite Courtot; 140. May McAvoy

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Face powder envelopes, Kyoto 1815

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The Graphic Arts Collection recently acquired a sample album holding nearly 200 colorful cosmetic packages of Oshiroi or white face powder. The ephemeral decorative envelopes are pasted onto 45 unnumbered leaves with various printed and manuscript labels. The final leaf holds a hand-written note indicating the album was produced in Kyoto in 1815.

 

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“In Japan, beauty has long been associated with a light skin tone. During the Nara Period (710–94), women painted their face with a white powder called oshiroi, and in the Heian Period (794–1185), a white facial color continued to stand as a symbol of beauty. References to the beauty of light skin tone are found in the Diary of Lady Murasaki and Tale of Genji. More than a thousand years ago, cosmetics for whitening the skin had already become a status symbol among the aristocracy.”–Originally written in Japanese by Ushijima Bifue.

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This marvelous sample book was assembled in 1815 for the Fujiwara Harima Ishizuka Face Powder Company and the Chikamaro Face Powder Company of Kyoto by a cosmetics distributor named Omi-ya.

The early pages hold thirty sets of three labels each: the first label tells in rapturous detail of the special qualities of the contents, the second gives the brand name, and the third the manufacturer’s name.

Following this are 107 color-printed labels for the envelopes (each including a brand name), then another 52 color-printed labels, and finally the actual face powder envelopes. The decorative designs are either color woodblock prints or made from special paper with metallic flakes including gold.

 

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This album was once owned by Dr. Kokichi Kano (1865-1942), a Japanese literature scholar, who came from Oodate City, Akita Prefecture. Kano began his career as the principal of First Higher School (1898-1906) and was then named President of a liberal arts college, Kyoto Imperial University (1906-1908).

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Illustrated Police News

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police-newsThe Illustrated Police News, Law Courts and Weekly Record was founded in 1864. “Published in London by John Ransom and George Purkess and printed by Purkess and Richard Beard, the Illustrated Police News claimed to give attention to subjects of more than ordinary interest ranging from gory murders to courtroom dramas. The sensational weekly priced at 1d . . . Its circulation grew over its first 20 years of publication from 100,000 to 300,000.” –Laurel Brake and Marysa Demoor, Dictionary of Nineteenth-century Journalism in Great Britain and Ireland (2009)

A pictorial front page of the January 14, 1882, issue was recently acquired by the Graphic Arts Collection, without the three text pages that followed. The top-most cells depict George Lamson, who was found guilty of murder, a sensational case covered by the paper almost daily from December 1881 through his hanging the following April.

George Henry Lamson (1850-1882) had become a morphine addict and needed money. On December 3, 1881, he poisoned his crippled brother-in-law using aconite or wolf’s bane, in the hope of receiving his inheritance. The transcript of Lamson’s trial is recorded in the Old Bailey Online database at:
https://www.oldbaileyonline.org/browse.jsp?id=def1-367-18820227&div=t18820227-367#highlight

Lamson insisted on his innocence and turned himself in to officials. “However, with the consciousness that I am an innocent and unjustly accused man, I am returning at once to London to face the matter out. If they wish to arrest me they will have ample opportunity of doing so. I shall attempt no concealment. I shall arrive at Waterloo Station about 9.15 tomorrow (Thursday) morning. Do try and meet me there. If I do not see you there I shall go straight to your house, trusting to the possibility of finding Kitty there.—In great haste, yours truly, GEO. H. LAMSON.—W. G. Chapman, Esq.”

Other events are also highlighted in this issue.police-news4
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See also Giles St. Aubyn, Infamous Victorians: Palmer and Lamson, two notorious poisoners (London: Constable, 1971). RECAP HV6555.G7S35

NYCC. Rule 5: Naked is not a costume.

dscn7366Nearly 200,000 visitors attended New York Comic Con (NYCC) at the Jacob Javits Convention Center this week. The final numbers are not in but that’s roughly double the number of attendees of last year’s Super Bowl. All tickets for all week sold out last summer.

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dscn7371471 artists participated in NYCC’s annex known as Artist Alley. A separate annex offered opportunities for Photo Ops with celebrities, but the entire schedule was sold out.

 

dscn7365A masked trio played at the Adult Swim booth, while crossword puzzles were completed on a public monitor. Visitors crawled in through a tunnel under the desk.

dscn7361Writer Ben Kahn signed a copy of Heavenly Blues, drawn by Bruno Hidalgo and lettered by Kathleen Kralowec. The book’s full title: “Heavenly Blues from the Pits of Perdition! Isaiah ‘Tommy Gun’ Jefferson & ‘Wicked’ Erin Foley.” The final page promises, “Next time, soulful sounds from the band of thieves.”

 

dscn7359Before you can attend NYCC, each visitor is given a list of rules they must follow. Rule 5 is “Naked is not a costume. Please wear appropriate (or at least enough) clothing while attending NYCC.”

There were, of course, plenty of cosplay outfits:
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dscn7354Samples went quickly and the entire run of Kill Shakespeare (the book) was gone before we could buy one.
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dscn7350The French Comics Framed festival offered an exhibition at The Cooper Union, rotating artists in the Artists Annex, and here, Nicolas Otero talked to the public. His graphic biography Le Roman de Boddah is being released in the United States as Who Killed Kurt Cobain? this month.

Nearby, the National Cartoonist Society booth was filled with different artists each day.

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Egyptian Cigarette Box

egyptian-type-elements4This tin canister for Dimitrino’s Egyptian Cigarettes might have been collected by the Graphic Arts Collection for the decorative printed label.

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“Around the mid-19th century, the cigarette, the latest fashion in tobacco consumption, gained popularity in Egypt, as it did globally and throughout the Ottoman Empire. Some fifty years later, the cigarette had become the predominant smoking preference in Egypt, and luxury Egyptian cigarettes were being exported around the world. Indeed, Egyptian and Turkish brands played a significant role in introducing cigarettes to different parts of the globe and thus in shaping world cigarette production.”– Relli Shechter, “Selling Luxury: The Rise of the Egyptian Cigarette and the Transformation of the Egyptian Tobacco Market, 1850-1914,” International Journal of Middle East Studies, 35, no. 1 (February 2003): 51-75.

Shechter goes on to say, “The five leading Greek cigarette manufacturers were Gianaclis, who arrived in Egypt in 1864; Vafiadis, who established his business in 1870; Melachrino, who arrived in Egypt in 1873; Kiriazi, whose business was already running in 1874; and Dimitrino, who opened his business in 1886.”

However, when we finally figured out how to open the can, we found it was in the Graphic Arts Collection as the housing for type elements with Assyrian figures. See below:

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Cuban Baseball Cards

cuban-baseball-cards6Unlike the Metropolitan Museum of Art in New York, Princeton’s Graphic Arts Collection does not collect contemporary, machine printed baseball cards. However, a box of “Cuban Select Series Baseball Cards” from 1994 somehow made its way into our vault. We have one carton of 132 randomly sorted cards. Here are a few pictures.

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Turkish Puppets

turkish puppets3During the move this week, we discovered a box of Turkish shadow puppets, along with literature about the genre, given by Lewis V. Thomas. The two figures seen here represent Karagöz (meaning blackeye) and Hacivat (İvaz the Pilgrim), the lead characters of the traditional Turkish shadow plays.

Since we already have other examples of these movable figures in the Cotsen collection, the new discoveries are joining their friends in Cotsen.

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American Turkologist, Lewis Thomas was a Professor in the Department of Oriental Languages and Literatures and a leader in the Princeton Program in Near Eastern Studies. A former teacher at Robert College in Istanbul, during the war he was coordinator of information and press attaché at the American Embassy there.

“In 1944 Hitti succeeded Bender as chairman, serving until 1954. The department’s founding of the country’s pioneer Program in Near Eastern Studies after World War II was largely due to Hitti’s vision and fund-raising abilities. This program concentrated on the modern Near East. Initially, the three major Islamic languages — Arabic, Turkish, and Persian — constituted the core of the program around which were grouped integrated courses in history, politics, sociology, economics, and related subjects. Three appointments were made to the department to implement the new program: Walter L. Wright in Turkish studies, T. Cuyler Young in modern Persian, and Lewis V. Thomas in Arabic. On Wright’s death in 1949, Thomas took over the work in Turkish.”  –Alexander Leitch, A Princeton Companion (Princeton University Press, 2015)

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turkish puppets4[Hacivat Karagöz puppet]. Rare Books: South East (Cotsen) Toys 152507

See also: Hayâlı̂ Küçük Ali, Karagözün Kağıthane safası ([Istanbul]: Ahmet Kâmil Matbaası, 1928). Annex A, Forrestal (TEMP) PL248.H331 K372 1928

 

Lew Ney “I Married the Niece of Gertrude Stein”

lew ney1My thanks to a colleague who sent this February 1950* broadside by Lew Ney (Luther Emanuel Widen, 1886-1963), Greenwich Village printer and celebrated bohemian. The New Yorker took up hiking in the 1940s, briefly publishing Camp and Trail magazine with Writers’ Union founder Robert Whitcomb (Ex LM Little Magazine).

At 65 years old, Lew Ney is still working on his autobiography Mad Man, as well as other memoirs including Nuts I Have Known; It Had to Happen to Me; and I Married the Niece of Gertrude Stein. Unfortunately, none of these were published.

lew ney broadsideIt is interesting that Lew Ney (pronounced looney) has finished downsizing, sending his personal collection of over 100 books and magazines to Princeton University Library between 1947 and 1949. Now, he is heading out of hike the Appalachian Trail, not expecting to return for one year.

 

*counting the day he was born