Princeton University President Christopher L. Eisgruber recently announced that our 2020 “pre-read” is This America: The Case for the Nation by historian Jill Lepore. https://princeton.overdrive.com/media/4618070 Each year Princeton’s incoming class collectively explores one text, this year focusing on the concept of the nation, American civil ideals, and historical truth-seeking.

Published by W.W. Norton & Company in 2019, the book’s cover features the image of a quilt in the shape of an American flag. The work was created in 1976 by Arcola Pettway (1934-1994), titled Lazy Gals Variation, as a Bicentennial quilt composed of brightly colored strips of corduroy fabric. “Lazy Gal” refers to the quilting pattern of irregular bars, one of a variety of traditional patterns used by Pettway and other quilters who are part of the Gee’s Bend collective. The quilt pictured above is owned by the High Museum, a purchase and gift of the Souls Grown Deep Foundation from the William S. Arnett Collection.

Pettway and the other quilters are the descendants of enslaved people from rural Gee’s Bend, Alabama. They first came to national attention with the Freedom Quilting Bee, a cooperative arising from the Civil Rights movement in the 1960s, and their quilts were sold in New York City at Bloomingdale’s and Sak’s, providing income for the women.

In the 1990s, art collector William Arnett and his family, rediscovered them and, together with curators, patrons and others with a large respect for African-American culture, a touring exhibition was organized by the Museum of Fine Art, Houston.

According to the Souls Grown Deep Foundation, Arcola Young was raised by her mother, Deborah Young, and her grandfather, Reverend Paul S. Pettway. Her mother also raised Young’s cousin, Leola Pettway. Leola described their childhood as being full of play and adventure, like fishing, singing in church choirs, and inventing games. Young married Joseph Pettway, brother of Lucy T. Pettway, and together they had 16 children, 8 boys and 8 girls! They farmed together and Young was a part of a gospel singing group, the Golden Angels.– For more information on the women of Gee’s Bend, see https://www.soulsgrowndeep.org/gees-bend-quiltmakers

In 2017, three etchings after the quilts of Loretta Pettway and Mary Lee Bendolph, members of the Gee’s Bend quilters, were acquired by the Graphic Arts Collection and installed in Firestone Library’s African American Studies Room (B floor) thanks to a joint initiative between the Princeton University Art Museum, Princeton University Library, and the Department of African American Studies. https://graphicarts.princeton.edu/2017/04/10/gees-bend-prints-acquired/

To honor the Norwegian Constitution Day, May 17th, or Syttende mai, here is a post for my favorite Norwegian author Kjersti A. Skomsvold. Seen above is her first and perhaps, still most compelling novel The Faster I Walk, The Smaller I Am (Firestone Library PT8952.29.K65 J613 2011).

Happily last summer “Two Month Review” chose to feature Skomsvold’s Monsterhuman, translated from the Norwegian by Becky L. Crook, for their discussion and deep read. Note in this episode the discussion on the book does not begin until about 23.40.

“Marius Hjeldnes from Cappelen Damm joins Chad and Brian to provide a bit of background on Skomsvold, on trends in Norwegian literature, on that whole “dice” thing, and much more. They cover the first three sections of the book, laying out the main themes and ideas that set-up this novel about a young woman suffering from Chronic Fatigue Syndrome, trying to rebuild her sense of self by becoming a writer. An incredibly interesting, episodic novel that you should be able to dive into, even if you don’t read every page.”

Other podcasts of the Two Month Review can be found online. “Each “season” they highlight a new work of world literature, reading it slowly over the course of eight to nine episodes. Featuring a rotating set of literary guests—from authors to booksellers, critics, and translators—each episode recaps a short section of the book and uses that as a springboard for a fun (and often irreverent) discussion about literature in a general sense, pop culture, reading approaches, and much more.”

The English language edition of Jo fortere jeg går, jo mindre er jeg (The Faster I Walk, the Smaller I Am) has a cover designed by the American artist Richard McGuire. In 2014, the Morgan Library and Museum mounted an exhibition of the artist’s work titled From Here to Here: Richard McGuire Makes a Book; https://www.themorgan.org/exhibitions/From-Here-to-Here . Many of us got to know him originally through RAW magazine, the comics journal edited by Art Spiegelman and Françoise Mouly, and then the book of Here strips. (https://web.archive.org/web/20100814190317/http://www.rci.rutgers.edu/~jbass/courses/402/402_mcguire_here.htm)

Luc Sante, writing for the New York Times in 2015, commented, “No one who saw that story ever forgot it: a chronicle of a life, running from 1957 to 2027, as situated in one room, with kaleidoscopic intrusions from various pasts and a wisp of a future — the house burns in 2029 and is torn down in 2030…” https://www.nytimes.com/2015/10/18/books/review/richard-mcguires-here.html

See more of McGuire here https://www.richard-mcguire.com/new-page-4 and get other Skomsvold novels at your local bookshop.